Highest-Rated Movies about 'Classic Film'

The Rules of the Game (1939), The Blue Angel (1930), The Spirit of the Beehive (1973), The Blue Angel (1930), Ashes and Diamonds (1958), Throne of Blood (1957), Hail the Conquering Hero (1944), Drunken Angel (1948) ... Let's take a look at the ranked list of the best Classic Film movies.

#16. Mouchette (1967)

Storyline: Young teen Mouchette (Nadine Nortier) faces hardships everywhere in her difficult life. Her father (Paul Hébert) is a cruel drunk who neglects her. Meanwhile, her mother (Marie Cardinal) lies ill, slowly dying. One day, fleeing a rainstorm, Mouchette comes across Arsène (Jean-Claude Guilbert), a poacher with a violent streak. He lets her take shelter in his cabin but then assaults her. Arsène even blackmails Mouchette to involve her in a cover-up for a crime he's committed.

Plot Keywords: french film, drama, black and white, 1960s, social marginalization, poverty, rural life ...

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#17. Il buono, il brutto, il cattivo (1966)

Storyline: Blondie (The Good) (Clint Eastwood) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) (Lee Van Cleef) is a hitman who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) (Eli Wallach) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off of Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor, Bill Carson (Antonio Casale), that he and a few other men have buried a stash of gold in a cemetery. Unfortunately, Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows ...

Plot Keywords: western, italian cinema, clint eastwood, classic film, american civil war, bounty hunter, gunfight ...

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#21. Nazarín (1959)

Storyline: In a seedy, plague-ridden corner of turn-of-the-century Mexico, a pious priest, Nazarín (Francisco Rabal), takes in mentally ill Beatriz (Marga López) and her prostitute sister, Andara (Rita Macedo). At odds with the other members of his clergy, he decides to go on a religious journey with the two women, but manages to accidentally alienate or ruin almost everyone he meets. As Nazarín attempts to bring goodwill and faith to a decaying society, he's met with scorn, suspicion and persecution.

Plot Keywords: religion, morality, poverty, redemption, faith, humanity, social criticism ...

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#22. The World of Apu (1959)

Storyline: Liberated from any form of attachment that was holding him back from immersing himself into Kolkata's urban lifestyle after Sarbojaya's death in Aparajito (1956), Apu, now an optimistic, 23-year-old idealist and struggling author, has no other choice but to give up his degree for lack of financial resources. Being no longer accountable to anyone, Apu barely manages to scrape by, content with a meagre income and a humble roof over his head, until an unforeseen complication during the wedding of Aparna, the delicate sister of his university friend, Pulu, leads to an act of kindness and a wonderful, youthful romance. All his life, death, and the sense of loss, have been accompanying Apu in his perpetual odyssey of spirituality and knowledge, and now, a lifetime of joys, hopes, sadness, and tragedies culminate in the most momentous decision of his life. But, life's mysterious duality cannot be defined by tragedy. What more could one ask for than a child's charming, wide-eyed smile?—Nick Riganas

Plot Keywords: indian cinema, drama, coming of age, realism, black and white, 1950s, family ...

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#23. The Great Dictator (1940)

Storyline: 20 years after the end of WWI, in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state and the decimation of the Jews. This situation is unknown to a simple Jewish Tomainian barber who has been hospitalized since a WWI battle. Upon his release the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, whom he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a desire for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator of neighboring ...

Plot Keywords: political satire, comedy, world war ii, anti-war, jewish, classic film, black and white ...

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#24. Aparajito (1956)

Storyline: After living awhile in Benares, 10 year old Apu and his mother move in with her uncle in a small Bengali village. Apu enters a local school, where he does well. By the time he graduates, he has a scholarship to study at a college in Calcutta. So off he goes. His mother is torn by his leaving, and by his growing independence. She loves her son very much and wants him to succeed, but she does not want to be left alone.—John Oswalt <jao@jao.com>

Plot Keywords: india, black and white, drama, coming of age, family, poverty, rural life ...

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#26. Children of Paradise (1945)

Storyline: Strolling indolently around the 1830s vibrant Parisian avenue called the Boulevard du Crime, the graceful and elusive courtesan, Garance, finds herself wrongfully accused of pickpocketing. But, amid a sea of jugglers, sideshow performers, streetwalkers, and crooks, the silently eloquent mime, Baptiste, comes to her rescue, only to hopelessly fall for her. And just like that, love's sweet torture befalls the delicate pantomimist, as the insufferable burden of knowing that the object of his desire can never belong to anyone, will heartlessly haunt him for years to come. Many have tried to seize her heart--the flamboyant thespian, Frédérick Lemaître; the criminal dandy, Pierre-François Lacenaire, and the imperious but loveless Count, Édouard de Montray--however, Garance, after so many barren years, now seems to need only one man. In the end, trusting a frail and modest rose is beautiful but cruel. Is there anyone who can accept the naked truth of an unrequited love?

Plot Keywords: french cinema, classic film, romanticism, theater, paris, 19th century, love ...

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