Highest-Rated Movies about 'Italian Cinema'

The Wide Blue Road (1956), Allegro non Troppo (1976), Il buono, il brutto, il cattivo (1966), The Way We Laughed (1998), Cinema Paradiso (1988), My Brother Is an Only Child (2007), The Bicycle Thief (1948), Investigation of a Citizen Above Suspicion (1970) ... Let's take a look at the ranked list of the best Italian Cinema movies.

#2. Allegro non Troppo (1976)

Storyline: Italy's response to the Disney classical music/animation hybrid "Fantasia," this film features a series of cartoon shorts set to the likes of Claude Debussy, Joseph-Maurice Ravel and Antonio Vivaldi. The animated segments feature both the humorous and fantastical: an aged satyr attempts to regain its lost youth, a bee is interrupted mid-meal by two lovers, the myth of Adam and Eve is retold and more. In between cartoons, a filmmaker (Maurizio Nichetti) struggles to complete the film.

Plot Keywords: animation, fantasy, music, comedy, satire, surrealism, italian cinema ...

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#3. Il buono, il brutto, il cattivo (1966)

Storyline: Blondie (The Good) (Clint Eastwood) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) (Lee Van Cleef) is a hitman who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) (Eli Wallach) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off of Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor, Bill Carson (Antonio Casale), that he and a few other men have buried a stash of gold in a cemetery. Unfortunately, Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows ...

Plot Keywords: western, italian cinema, clint eastwood, classic film, american civil war, bounty hunter, gunfight ...

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#4. The Way We Laughed (1998)

Storyline: Studying to become a teacher in Turin, Italy, Pietro (Francesco Giuffrida) is joined by his older brother, Giovanni (Enrico Lo Verso), who has moved up from Sicily. While Giovanni is a worker with no schooling, Pietro shows considerable promise in academics, prompting the elder sibling to seek employment to support his brother's academic pursuits. Unfortunately, things don't go well for Giovanni and Pietro, and they face significant hardships as they try to improve their lives.

Plot Keywords: brotherhood, immigration, family relationships, social class, coming of age, moral dilemma, italian cinema ...

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#5. Cinema Paradiso (1988)

Storyline: A boy who grew up in a native Sicilian Village returns home as a famous director after receiving news about the death of an old friend. Told in a flashback, Salvatore reminiscences about his childhood and his relationship with Alfredo, a projectionist at Cinema Paradiso. Under the fatherly influence of Alfredo, Salvatore fell in love with film making, with the duo spending many hours discussing about films and Alfredo painstakingly teaching Salvatore the skills that became a stepping stone for the young boy into the world of film making. The film brings the audience through the changes in cinema and the dying trade of traditional film making, editing and screening. It also explores a young boy's dream of leaving his little town to foray into the world outside.

Plot Keywords: drama, coming of age, nostalgia, italian cinema, classic, friendship, romance ...

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#9. Divorce, Italian Style (1962)

Storyline: Ferdinando Cefalù is desperate to marry his cousin, Angela, but he is married to Rosalia and divorce is illegal in Italy. To get around the law, he tries to trick his wife into having an affair so he can catch her and murder her, as he knows he would be given a light sentence for killing an adulterous woman. He persuades a painter to lure his wife into an affair, but Rosalia proves to be more faithful than he expected.—Jwelch5742

Plot Keywords: comedy, drama, satire, black comedy, italian cinema, marriage, divorce ...

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#10. The Nights of Cabiria (1957)

Storyline: Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.

Plot Keywords: italian cinema, 1950s, prostitute, social outcast, humanity, hope, redemption ...

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#11. La leggenda del pianista sull'oceano (1998)

Storyline: 1900. Danny Boodmann, a stoker on an American passenger liner, Virginian, finds a baby abandoned on the ship. He names the child Danny Boodmann T.D. Lemon Nineteen Hundred '1900' and raises the child as his own until his death in an accident on the ship. The child never leaves the ship and turns out to be a musical genius, especially when it comes to playing the piano. As an adult he befriends a trumpet player in the ship's band, Max Tooney. After several years on the ship Max leaves, and tells the story of 1900 to the owner of a music store.

Plot Keywords: music, piano, ocean, legend, loneliness, genius, journey ...

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#12. La Notte (1961)

Storyline: In Milan, after visiting dear friend Tommaso Garani that is terminal in a hospital, the writer Giovanni Pontano goes to a party for the release of his last book, and his wife Lidia Pontano visits the place where she lived many years ago. In the night, they go to a night-club, and later to a party in the mansion of the tycoon Mr. Gherardini. Along the night, Giovanni flirts with Valentina Gherardini, the daughter of the host, and then he receives a proposal to work for him in the area of communication and write the history of his company. Meanwhile, Lidia flirts with the playboy Roberto.

Plot Keywords: italian cinema, marital crisis, alienation, upper class, existentialism, black and white, literature ...

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#14. Shoeshine (1946)

Storyline: At a track near Rome, shoeshine boys are watching horses run. Two of them, the orphan Pasquale and his younger friend Giuseppe, are riding. The pair have been saving to buy their own horse. They meet Attilio, Giuse's much-older brother, and his shady friend at a boat on the Tiber. In return for a commission, the boys agree to deliver black-market goods to a fortuneteller. Once the woman has paid, Attilio's gang suddenly arrives, pretending to be cops, to shake the woman down. With a payoff from Attilio, the boys are able to make the final payment and stable their horse in Trastevere over the river. The fortuneteller identifies Pasqua and Giuse. Held at an overcrowded boys' prison, they are separated. Giuse falls under the influence of an older lad in his cell, Arcangeli. During interrogation, Pasqua is tricked into betraying Giuse's brother to the police. With their trial still in the future, the two friends are driven further apart.—David Carless

Plot Keywords: italian cinema, post-war, poverty, children, friendship, tragedy, social criticism ...

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