A man and a woman meet by accident on a Sunday evening at their children's boarding school. Slowly the widower and widow reveal themselves to each other, with each revelation hidden by a misperception. They become closer and closer, until she reveals that she can't have a lover because her husband's memory is still far too strong. Much of the film is told wordlessly in actions or through hearing each person's thoughts.—John Vogel
widower, widow, child, race car driver, emotional, tender, touching, france, boarding school, train, grief, death, parenthood, love, transformation, 1960s
Advertising, if not cinema, colonised these images long ago. Yet how to resist a pairing as photogenic as Anouk Aimee and Jean-Louis Trintignant?
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