Highest-Rated Movies about 'Broadway Style'

Take Me Out to the Ball Game (1949), Swing Time (1936), Buck Privates (1941), Romance on the High Seas (1948), Gold Diggers of 1935 (1935), Take Me Out to the Ball Game (1949), Hello, Frisco, Hello (1943), The Gang's All Here (1943) ... Let's take a look at the ranked list of the best Broadway Style movies.

#1. Take Me Out to the Ball Game (1949)

Storyline: Despite being key players for the Wolves, baseball players Dennis Ryan (Frank Sinatra) and Eddie O'Brien (Gene Kelly) harbor a passion for vaudeville. When a local gambler (Edward Arnold) puts a lot of money on the Wolves to lose a big game, he tries to win the bet by offering Eddie the lead role in a newly produced show. Though Eddie is tempted to accept, he risks incurring the wrath of both Dennis and the team's owner (Esther Williams), who just happens to be his girlfriend.

Plot Keywords: musical, comedy, song and dance, romance, classic hollywood, buddy film, sports ...

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#2. Swing Time (1936)

Storyline: Lucky is tricked into missing his wedding to Margaret by the other members of Pop's magic and dance act, and has to make $25000 to be allowed to marry her. He and Pop go to New York where they run into Penny, a dancing instructor. She and Lucky form a successful dance partnership, but romance is blighted (till the end of the film at least!) by his old attachment to Margaret and hers for Ricardo, the band leader who won't play for them to dance together.

Plot Keywords: musical, comedy, romance, classic, fred astaire, golden age hollywood, dance ...

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#3. Buck Privates (1941)

Storyline: Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in basic training. To their dismay, the company's drill instructor is none other than the cop who was all set to run them off to the hoosegow in the first place! The boys end up having a whale of a time getting under the skin of their humourless nemesis.—Alfred Jingle

Plot Keywords: comedy, musical, world war ii, slapstick, dance, song and dance, broadway style ...

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#4. Romance on the High Seas (1948)

Storyline: Socialite Elvira Kent suspects her husband of fooling around with other women. When he announces he can't join her on their scheduled ocean voyage, she hires a nightclub singer, Georgia Garrett, to pose as her on the cruise. Elvira stays at a hotel near home so she can spy on her husband. She's unaware, however, that her husband has hired a detective, Peter Virgil, to keep an eye on her at sea. Of course, Peter doesn't realize that Georgia is not Mrs. Kent...—Daniel Bubbeo <dbubbeo@cmp.com>

Plot Keywords: romance, comedy, musical, song and dance, misunderstanding, 1940s, classic hollywood ...

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#5. Gold Diggers of 1935 (1935)

Storyline: In a luxury hotel stage director Nicoleff stages a show to get the money to pay his bills. Mrs. Prentiss, who is backing the show wants her daughter Ann to marry the millionaire T. Mosely Thorpe, but Ann falls in love with Dick Curtis, while Dick's girl friend marries Ann's brother Humbolt. But the hotel secretary Betty knows a way to avoid dificulties with old Mrs. Prentiss.—Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Keywords: musical, comedy, romance, wealth, social satire, show business, 1930s ...

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#6. Take Me Out to the Ball Game (1949)

Storyline: The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. turns outs to be a beautiful woman who really knows her baseball. Second baseman Dennis Ryan promptly falls in love. But his playboy roommate Eddie O'Brien has his own notions about how to treat the new lady owner and some unsavory gamblers have their own ideas about how to handle Eddie.—A.L.Beneteau <albl@inforamp.net>

Plot Keywords: musical, comedy, romance, song and dance, classic, 1940s, usa ...

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#7. Hello, Frisco, Hello (1943)

Storyline: San Francisco's Barbary Coast is the hub of light and gaiety for a bustling young metropolis, while at Sharkey's Colosseum , Trudy Evans (Alice Faye), Johnnie Cornell (John Payne), Dan Daley (Jack Oakie) and Beulah (June Havoc) offer divertissement. Trying out a new number the group pulls the paying customers away from the bar, and they are promptly fired. True-blue Trudy begs Dan and Beulah to stick with Johnnie who is full of ideas, some of which, later cause Trudy much distress. When fast-talking Sam Weaver (Laird Cregar) happens upon Johnnie with another tale of a sure bonanza gold strike. Johnnie grubstakes him to the group's last $10. Coming upon an anti-drinking missionary group, Johnnie makes them a proposition which will benefit them all. He stages a series of street carnivals in front of the saloons which attracts the crowds, especially when Beulah performs cooch-dance, to the ruination of the juke-and-gin mills. Each proprietor offers $500, if Johnnie will keep away from their bars, but to Sharkey (Ward Bond) the price is $1000. With the money from his high-handed extortion Johnnie opens The Grizzly Bear and it becomes an overnight sensation with Trudy as the star of an elaborately-mounted show which even brings in the carriage trade from Nob Hill, including the haughty Bernice Crodt (Lynn Bari) and her pre-entourage days entourage. Johnnie is fascinated by her poise and social position. The Grizzly prospers and Johnnie soon opens three more saloons which makes him an early-day impresario , and Trudy the Toast of the Coast. Beulah is rather toasty herself. Ned (John Archer), a Trudy admirer, brings Cochran (Aubrey Mather), an English theatrical producer, slumming in the colonies, to see the show and offers a starring role in his next London production. Deeply in love with Johnnie, Trudy refuses, but cad Johnnie, eager for society prestige abruptly marries femme-fatale Bernice so he can climb up Nob Hill. Broken-hearted Trudy sails for England where as the star of "The Girl from Piccadilly" she is the darling of the London theatre crowds. Johnnie and Bernice go on a European honeymoon, during which time he sees Trudy's show. That's is Johnnie last highlight for a while. Back in gay old Frisco, Johnnie's fortunes decline rapidly when he becomes a sponsor of Grand Opera, long a pet project for money-drain Bernice. One by one he closes Barbary Coast saloons including the Grizzly Bear. Dan and Beulah go back to Sharkeys and Johnnie is a barker for a cooch-show on the carnival midway. Trudy returns and is distressed more than somewhat to find the familiar night spots shuttered and silent and Bernice had given Johnnie his walking papers when he ran out of money. So True-Blue Trudy quietly finances Sam, who in turn convinces Johnnie that he has at last struck a gold bonanza. With "his share" of the old grubstake Johnnie reopens the Grizzly but refuses to hire Trudy for his show since he now has a large case of remorse. Will they get together again?—Les Adams <longhorn1939@suddenlink.net>

Plot Keywords: musical, romance, comedy, classic, 1940s, show business, san francisco ...

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#8. The Gang's All Here (1943)

Storyline: Playboy Andy Mason, on leave from the army, romances showgirl Eadie Allen overnight to such effect that she's starry-eyed when he leaves next morning for active duty in the Pacific. Only trouble is, he gave her the assumed name of Casey. Andy's eventual return with a medal is celebrated by his rich father with a benefit show featuring Eadie's show troupe, at which she's sure to learn his true identity...and meet Vivian, his 'family-arrangement' fiancée. Mostly song and dance.—Rod Crawford <puffinus@u.washington.edu>

Plot Keywords: musical, comedy, romance, broadway style, golden age hollywood, song and dance, star-studded ...

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#10. Step Lively (1944)

Storyline: Gordon Miller is rehearsing a musical comedy in the penthouse suite of Gribble's hotel...on credit. The mounting bill is driving Gribble frantic. Chaos increases when playwright Glen Russell, whose dramatic play he thinks Miller is producing, arrives. But it turns out Russell can sing like Sinatra, and Miller has leading lady Christine turn on the charm. Can Miller's crazed machinations save the show?—Rod Crawford <puffinus@u.washington.edu>

Plot Keywords: musical, comedy, romance, black and white, classic hollywood, song and dance, love ...

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#12. Rich, Young and Pretty (1951)

Storyline: Jim Stauton Rogers, a Texas rancher turned international diplomat, takes his young daughter, Elizabeth Rogers, on a trip to Paris. He is concerned that his daughter might come in contact with her mother, Marie Devarone, a Parisian singer he met and loved more than twenty-five years ago.—Les Adams <longhorn1939@suddenlink.net>

Plot Keywords: musical, romance, comedy, 1950s, paris, dance, song and dance ...

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#13. Flirtation Walk (1934)

Storyline: A Musical-romance with Dick Powell as a private stationed in Hawaii who gets involved with Ruby Keeler, the general's engaged daughter. In order to avoid a scandal, the pair break up, but meet again years later when Powell's at West Point producing the annual play that turns out to star Keeler.—Alessandro Martini <alemartini@geocities.com>

Plot Keywords: romance, musical, comedy, military, song and dance, romantic comedy, golden age of hollywood ...

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#14. They Learned About Women (1930)

Storyline: When Jack and Jerry are not playing professional baseball with the Blue Sox, they are packing them in on the Vaudeville circuit. Jack is engaged to Mary, but a gold digger named Daisy has worked her way into his confidence. When Mary sees Jack and Daisy together, she leaves Jack and Jack marries Daisy the next day. When Daisy decides that she wants into the Vaudeville act, she has Jack dump both Jerry and his baseball contract. But Jack soon finds that - no act - means no money - means no Daisy.—Tony Fontana <tony.fontana@spacebbs.com>

Plot Keywords: musical, comedy, romance, black and white, 1930s, song and dance, hollywood ...

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#15. Four Jacks and a Jill (1941)

Storyline: Karanina "Nina" Novak (Anne Shirley), is befriended by Nifty (Ray Bolger), the leader of a four-piece orchestra, and in return, secures an engagement for them at the Little Aregal Cafe, with herself as the vocalist, by pretending she once knew the King Stephan VIII of Aregal back in the old country. Steve (Desi Arnaz) shows up pretending to be the King of Aregal, and complicates the growing romance between Nina and Nifty. When Steve runs off with Opal (June Havoc), the real King of Aregal (also Desi Arnaz) appears and complicates things again.—Les Adams <longhorn1939@suddenlink.net>

Plot Keywords: musical, comedy, romance, black and white, 1940s, hollywood, musical film ...

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