James Robertson buys a painting depicting witches being burned at the stake, one of whom bears an uncanny resemblance to his wife, Chris. Chris, gradually taken over by the personality of the witch in the painting that she resembles, allies herself with two other reincarnated witches to plan James' death, as he proves to be a descendant of the man responsible for the witches' fate.—Doug Sederberg
painting, torture, philippines, witchcraft, dog, attempted murder, satanism, husband wife relationship, occult, reincarnation, female frontal nudity, abduction, drugged drink, bare foot woman, mortuary, discovering a dead body, stabbed in the belly, falling into water, smoke bomb, breaking a window
Even in 1972, Tom Selleck had a wicked mustache. This film has a decent set up for a story about witches, which is a horror film subject that rarely goes well. Selleck is a art dealer who buys a painting depicting a witch burning because one of the witches in the painting bears a strong resemblance to his wife. This sets off a mystery as to his wife and his own ancestral connections to witchcraft and from there the film also gets progressively sillier and sillier. The only reason to watch this film is to see a young, before-he-was-famous Selleck, who even in this dreck demonstrates his on-screen charisma that would later make him a star.
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