Highest-Rated Movies about 'British New Wave'

Kes (1969), The Loneliness of the Long Distance Runner (1962), This Sporting Life (1963), If.... (1968), Saturday Night and Sunday Morning (1960), A Taste of Honey (1961), The L-Shaped Room (1963), A Kind of Loving (1962) ... Let's take a look at the ranked list of the best British New Wave movies.

#1. Kes (1969)

Storyline: Bullied at school and ignored and abused at home by his indifferent mother and older brother, Billy Casper (David Bradley), a 15-year-old working-class Yorkshire boy, tames and trains his pet kestrel falcon whom he names Kes. Helped and encouraged by his English teacher Mr. Farthing (Colin Welland) and his fellow students, Billy finally finds a positive purpose to his unhappy existence, until tragedy strikes.

Plot Keywords: social realism, working class, coming of age, british cinema, education system, poverty, family conflict ...

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#2. The Loneliness of the Long Distance Runner (1962)

Storyline: A rebellious youth, sentenced to a boy's reformatory for robbing a bakery, rises through the ranks of the institution through his prowess as a long distance runner. During his solitary runs, reveries of his life and times before his incarceration lead him to re-evaluate his privileged status as the Governor's prize runner.

Plot Keywords: british film, social realism, class conflict, working class, 1960s, black and white film, social critique ...

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#3. This Sporting Life (1963)

Storyline: In Northern England in the early 1960s, Frank Machin is mean, tough and ambitious enough to become an immediate star in the rugby league team run by local employer Weaver. Machin lodges with Mrs Hammond, whose husband was killed in an accident at Weaver's, but his impulsive and angry nature stop him from being able to reach her as he would like. He becomes increasingly frustrated with his situation, and this is not helped by the more straightforward enticements of Mrs Weaver.—Jeremy Perkins {J-26}

Plot Keywords: sports, drama, british, working class, 1960s, realism, violence ...

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#4. If.... (1968)

Storyline: In an indictment of the British public school system, we follow Mick and his mostly younger friends through a series of indignities and occasionally abuse as any fond feelings toward these schools are destroyed. When Mick and his friends rebel, violently, the catch phrase, "which side would you be on" becomes quite stark.

Plot Keywords: rebellion, class conflict, social critique, revolution, anarchism, british society, boarding school ...

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#5. Saturday Night and Sunday Morning (1960)

Storyline: Arthur, one of Britain's angry young men of the 1960s, is a hardworking factory worker who slaves all week at his mindless job for his modest wages. Come Saturday night, he's off to the pub for a loud and rowdy beer session. With him is Brenda, his girlfriend of the moment. Married to a fellow worker, she is nonetheless captivated by his rugged good looks and his devil-may-care attitude. Soon a new love interest Doreen enters and a week later, Brenda announces she's pregnant. She tells Arthur she needs money for an abortion, and Arthur promises to pay for it. By this time, his relationship with Doreen has ripened and Brenda, hearing of it, confronts him. He denies everything, but it's obvious that their affair is all but over.—alfiehitchie

Plot Keywords: social realism, working class, moral dilemma, sexual liberation, class conflict, black and white, life struggles ...

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#6. A Taste of Honey (1961)

Storyline: Black and white, gay and straight, mothers and daughters, class, and coming of age. Jo is working class, in her teens, living with her drunk and libidinous mother in northern England. When mom marries impulsively, Jo is out on the streets; she and Geoffrey, a gay co worker who's adrift himself, find a room together. Then Jo finds herself pregnant after a one night stand with Jimmy, a Black sailor. Geoffrey takes over the preparations for the baby's birth, and becomes, in effect, the child's father. The three of them seem to have things sorted out when Jo's mother reappears on the scene, assertive and domineering. Which "family" will emerge?—<jhailey@hotmail.com>

Plot Keywords: british film, social realism, working class, single parent family, independent film, black and white film, 1960s ...

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#7. The L-Shaped Room (1963)

Storyline: Jane, a young French woman, pregnant and unmarried, takes a room in a seedy London boarding house, which is inhabited by an assortment of misfits. She considers getting an abortion, but is unhappy with this solution. She falls into a relationship with Toby, a struggling young writer who lives on the first floor. Eventually she comes to like her odd room, and makes friends with all the strange people in the house. But she still faces two problems: what to do with her baby, and what to do with Toby.—John Oswalt <jao@jao.com>

Plot Keywords: drama, romance, british, black and white, female lead, independent woman, social outcast ...

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#8. A Kind of Loving (1962)

Storyline: A young man, inching his way up from working-class traditions via a white-collar job, finds himself trapped by the frightening reality of his girlfriend's pregnancy and is forced into marrying her and moving in with his mother-in-law due to a housing shortage in their Northern England town.—alfiehitchie

Plot Keywords: romance, british film, drama, social class, marriage, realism, working class ...

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#9. Up the Junction (1968)

Storyline: Movie version of the BBC TV play that first addresses some of the major social issues of the day. A girl from a rich family in Chelsea is bored and decides to go "slumming" in depressed Battersea. She gets a flat and starts working in a factory and makes some friends there. One of her friends is pregnant but abortion is illegal ...—Steve Crook <steve@brainstorm.co.uk>

Plot Keywords: british film, social realism, working class, london, 1960s, romance, pregnancy ...

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#10. Poor Cow (1967)

Storyline: A young woman lives a life filled with bad choices. She marries and has a child with an abusive thief at a young age who quickly ends up in prison. Left alone she takes up with his mate (another thief) who seems to give her some happiness but who also ends up in the nick. She then takes up with a series of seedy types who offer nothing but momentary pleasure. Her son goes missing and she briefly comes to grips with what is most important to her.—Fred Cabral <ftcabral@hotmail.com>

Plot Keywords: british film, social realism, working class, ken loach, 1960s, london, crime ...

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