Highest-Rated Movies about 'American Cinema'

Woody Allen: A Documentary (2012), The Boys: The Sherman Brothers' Story (2009), What She Said: The Art of Pauline Kael (2018), It's All True (1993), White Heat (1949), On the Waterfront (1954), Annie Hall (1977), The Typewriter, the Rifle and the Movie Camera (1996) ... Let's take a look at the ranked list of the best American Cinema movies.

#16. Easy Riders, Raging Bulls (2003)

Storyline: Based upon Peter Biskind's book of the same name, this BBC-produced documentary traces the rise of a generation of Hollywood filmmakers who briefly changed the face of movies with a more personal approach that pushed the boundaries of what was acceptable on-screen. Influential directors who appear include Arthur Penn ("Bonnie and Clyde"), Dennis Hopper ("Easy Rider"), Francis Ford Coppola ("The Godfather"), John Schlesinger ("Midnight Cowboy"), Bob Rafelson ("Five Easy Pieces") Martin Scorsese ("Taxi Driver"), Peter Bogdanovich ("The Last Picture Show"), and Jonathan Demme ("Crazy Mama"). Narrated by William H. Macy, the documentary features vintage clips of Coppola, Scorsese, Beatty, George Lucas, Sam Peckinpah, Roman Polanski, Robert Altman, and Pauline Kael. It also includes original interview material with Penn; Roger Corman; Bogdanovich; Hopper; David Picker; writer/directors John Milius and Paul Schrader; actresses Karen Black, Cybill Shepherd, Margot Kidder, and Jennifer Salt; actors Peter Fonda, Kris Kristofferson, and Richard Dreyfuss; producers Jerome Hellman, Michael Phillips, and Jonathan Taplin; editor Dede Allen; production designer Polly Platt; writers David Newman, Joan Tewksbury, Gloria Katz, and Willard Huyck; cinematographers Laszlo Kovacs and Vilmos Zsigmond; agent Mike Medavoy; and former production executive Peter Bart. Among the films discussed are "Rosemary's Baby," "The Wild Bunch," "Mean Streets," "American Graffiti," "The Rain People," "Midnight Cowboy," "M*A*S*H," "McCabe and Mrs. Miller," "The Last Picture Show," "Shampoo," and "Taxi Driver."—alfiehitchie

Plot Keywords: documentary, film history, hollywood, 1970s cinema, directors, producers, cinematography ...

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#19. Kansas City Confidential (1952)

Storyline: A down-on-his-luck ex-G.I. finds himself framed for an armored car robbery. When he's finally released for lack of evidence, after having been worked-over by the police, he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired thugs and a corrupt cop.—frankfob2@yahoo.com

Plot Keywords: film noir, crime, heist, thriller, mystery, detective, suspense ...

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#20. Bullets Over Broadway (1994)

Storyline: 1920s Broadway. Playwright David Shayne considers himself an artist, and surrounds himself with like minded people, most struggling financially as they create art for themselves, not the masses. David, however, believes the failure of his first two plays was because he gave up creative control to other people who didn't understand the material. As such, he wants to direct his just completed third play, "God of Our Fathers", insider scuttlebutt being that it may very well make David the toast of Broadway. With David having no directing history, David's regular producer, Julian Marx, can't find any investors,... until a single investor who will finance the entire production comes onto the scene. He is Nick Valenti, a big time mobster, with the catch being that his dimwitted girlfriend, non-actress Olive Neal, get the lead role. A hesitant David and Julian, who are able to talk Nick into them giving Olive one of the two female supporting roles instead, go along with the scheme hoping ...

Plot Keywords: comedy, crime, drama, black comedy, new york, 1920s, broadway ...

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#21. A Foreign Affair (1948)

Storyline: A congressional committee visits occupied Berlin to investigate G.I. morals. Congresswoman Phoebe Frost, appalled at widespread evidence of human frailty, hears rumors that cafe singer Erika, former mistress of a wanted war criminal, is "protected" by an American officer, and enlists Captain John Pringle to help her find him...not knowing that Pringle is Erika's lover.—Rod Crawford <puffinus@u.washington.edu>

Plot Keywords: romantic comedy, billy wilder, 1940s, black and white, love triangle, satire, cultural clash ...

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#22. Richard Linklater: Dream Is Destiny (2016)

Storyline: A feature documentary on the life and work of filmmaker, Richard Linklater. Produced and Directed by Louis Black (founder of SXSW Festivals and the Austin Chronicle) and Karen Bernstein (Emmy and Grammy Award winning documentary filmmaker), this is an unusual look at a fiercely independent style of filmmaking that arose from Austin, Texas in the 1980s/ early 90's and how Linklater's films, Slacker, Dazed and Confused, Waking Life and Boyhood, sparked a low budget, in your own backyard movement in this country and around the world.

Plot Keywords: documentary, biography, filmmaking, director, independent film, behind the scenes, creative process ...

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#23. Possessed (1947)

Storyline: A woman wanders the streets of Los Angeles in some sort of emotional distress. She is also under some delusion as she approaches many men, strangers who she calls "David." Eventually, an ambulance is called, the attendants who take her to the hospital, where she is eventually placed in the psychiatric ward. Placing her under some medication to help her remember, Dr. Harvey Willard, the psychiatrist on duty, is able to get some semblance of a story out of her over the ensuing days. This phase of her life begins just over a year ago when she, single RN Louise Howell, is employed by wealthy Dean Graham to take care of his chronically ill and largely bedridden wife, Pauline Graham, at their lake house outside of Washington, D.C. Due to her circumstances, Pauline believes that Dean and Louise are having an affair behind her back. Louise can see that Dean does have feelings for her that way in his loneliness. The "David" in question is David Sutton, a civil engineer who lives across the lake from the Grahams, and who has been having a secret affair with Louise. That relationship was meant to be casual, but David tries to break it off with her when he sees that she has fallen in love with him to an obsessional state. Louise begins to manipulate the situation to be in David's life, even if only peripherally. Louise also begins to feel that if she can't have David, nobody else should. Louise is eventually diagnosed with schizophrenia during this time--something she does not mention to anyone in her life--which places her story to Dr. Willard in some context, including what of the story is real and what is all part of her delusion.—Huggo

Plot Keywords: film noir, psychological thriller, crime, murder, mental illness, hallucination, romance ...

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#24. Cry of the City (1948)

Storyline: Petty crook and cop-killer Martin Rome, in bad shape from wounds in the hospital prison ward, still refuses to help slimy lawyer Niles clear his client by confessing to another crime. Police Lt. Candella must check Niles' allegation; a friend of the Rome family, he walks a tightrope between sentiment and cynicism. When Martin fears Candella will implicate his girlfriend Teena, he'll do anything to protect her. How many others will he drag down to disaster with him?—Rod Crawford <puffinus@u.washington.edu>

Plot Keywords: film noir, crime, drama, mystery, thriller, new york, 1940s ...

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#27. Golden Boy (1939)

Storyline: Joe Bonaparte's father wants him to pursue his musical talent; but Joe wants to be a boxer. Persuading near-bankrupt manager Tom Moody to give him a chance, Joe quickly rises in his new profession. When he has second thoughts Moody's girl Lorna uses feminine wiles to keep him boxing. But when tough gangster Eddie Fuseli wants to "buy a piece" of Joe, Lorna herself begins to have second thoughts...for that and other reasons. Is it too late?—Rod Crawford <puffinus@u.washington.edu>

Plot Keywords: crime, drama, film noir, courtroom, lawyer, moral dilemma, social criticism ...

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#28. The Big Knife (1955)

Storyline: Charles Castle is a successful Hollywood actor who has opted for screen success over art. He must make critical decisions regarding his career, his marriage, his art & morality. In this screen adaptation of a Clifford Odets play, Castle is pressured by his studio boss and manipulated into a potentially murderous cover-up to protect his career. An indictment of the amoral world of 50's Hollywood and its corrosive effect upon the artist.—Thomas Robbin

Plot Keywords: film noir, hollywood, drama, crime, moral dilemma, fame and fortune, power struggle ...

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#29. Altman (2014)

Storyline: The life of Robert Altman over the course of his career as a filmmaker is told in roughly chronological order. It is presented largely through archival footage, including of his interviews and of his and his longtime wife Kathryn Reed's home movies. It includes his rocky start in Hollywood as an aspiring screenwriter, which instead led to him working as a general filmmaker for an industrial film company. This work led to directing assignments for a number of television series back in Hollywood, where he butted heads with a number of studio executives and producers who did not appreciate his style of filmmaking in his desire to insert a sense a realism in whatever the project, that realism which includes hanging story-lines and overlapping dialogue, often in multiple equally important conversations in a single setting which forces the viewer to decide which conversation he/she wants to focus. This situation often led to him trying to achieve what he wanted either in not telling or flying beneath the radar of the studio executive and producers. Altman's cachet in Hollywood took a meteoric turn upward with the film M*A*S*H (1970) which all other directors approached had turned down, it which ended up being a box-office smash and critically acclaimed, including winning that year's coveted Palme d'Or at the Cannes Film Festival. Over the remaining course of his filmmaking life which included some highs and lows (including a string of box office and critical failures in the late 1970s and early 1980s), he tried to instill a sense of of family among the cast and crew of his sets. Beyond his marriage to Kathryn, the personal side to the story includes his being father to a number of children and step-children who would enter into the business, and some health issues, one which ended up in him having a heart transplant of which he did not tell the public until ten years after the fact. Interspersed with the archive footage is a number of celebrities - actors who have worked in his films and contemporaries influenced by his work - who give their definition of the adjective "Altmanesque".—Huggo

Plot Keywords: documentary, director, hollywood, film history, biography, filmmaking, independent film ...

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#30. The Vanishing American (1925)

Storyline: History, as portrayed in this film, has been a succession of conquests of stronger races over weaker ones. As played out on the stage of Monument Valley, long ago, tribes of Indians defeated the ancient cliff dwellers; then came the Europeans to conquer the Indians. Now, in the early 20th Century, a tribe of Navajo live on a reservation overseen by an Indian-hating agent, Booker. He and his men steal the best Indian horses for their own profit. Nophaie, a tribal leader, complains to Booker's higher-ups, but he is unable to gain fair treatment from the whites. When World War I breaks out, an Army captain comes west in search of the horses that Booker was supposed to have bought from the Indians for a fair price. Marian Warner, the teacher at the Indian School, has befriended Nophaie, teaching him to read; she convinces him that the Great War is a fight for a more just world, and that, when that world comes, the Indian will be better treated. Nophaie not only brings horses for the Army, he and many other Indians enlist, and distinguish themselves in battle. But when they come back after the war is over, they find life for Indians even worse than when they left. Surely, they feel, it is time to fight back. But Nophaie is not so sure.—George S. Davis <mgeorges@prodigy.net>

Plot Keywords: silent film, western, race relations, colonialism, cultural conflict, historical drama, 1920s ...

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