Absolute Beginners (1986)
In London in 1958, a young photographer seeks media stardom to keep the love of a beautiful, aspiring fashion designer.
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Huckleberry Finn (1974)
In the 1840s Missouri, young boy Huckleberry Finn, wanting to escape his drunkard violent father, joins black runaway slave Jim on a quest for freedom down the Mississippi River on a raft.
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Naughty Marietta (1935)
An incognito French princess (Jeanette MacDonald) flees to New Orleans and flirts with an Indian scout (Nelson Eddy).
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Stand Up and Cheer! (1934)
A little girl's (Shirley Temple) toe-tapping musical numbers uplift the nation during the Depression in this charming classic that includes Temple's rendition of "Baby Take a Bow.
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Mardi Gras (1958)
A military school cadet Boone wins a date with a French movie goddess (Carère) who happens to be the queen of the "Mardi Gras" parade. They fall in love, but Carère's movie studio wants to capitalize on this newly found love for publicity.
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On Your Toes (1939)
A young hoofer quits vaudeville to become a composer and hooks up with a Russian ballet troupe.
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Paradise, Hawaiian Style (1966)
Rick Richards is a helicopter pilot who wants to set up a charter flying service in Hawaii -- along the way he makes some friends, including a young Hawaiian girl and her father, romances Judy Hudson, and sings a few songs.
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The Fabulous Dorseys (1947)
The rise and rise of the Fabulous Dorsey brothers is charted in this whimsical step down memory lane, Tommy and Jimmy Dorsey play themselves in this vehicle for their excellent music. From being raised by their father who insists on them learning music, to the split that just saw their careers rise even further.
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Down Missouri Way (1946)
Jane Colwell, an associate professor at an agricultural college, thinks that a trained mule she has been working with needs a rest and takes him to her farm. There she finds a film company shooting on location. After many complications, the mule is featured in the film, and Jane wins the heart of Mike Burton, the film's producer.
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School Daze (1988)
Musical numbers underscore Spike Lee's account of tensions erupting among the student body at an all-black university.
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