A man in his early 30s (Keane) struggles with the supposed loss of his daughter from the Port Authority Bus Terminal in New York, while fighting serious battles with schizophrenia. We can never be sure if the loss is real or imaginary; or whether his overt interest in helping young girls is innocent and of a fatherly nature, or is of a darker, scarier motive.—Heidi Levitt
jukebox, fast food restaurant, escalator, dress, divorce, disability, desk clerk, department store, dancing, dancer, dance club, clothes, father daughter relationship, fight, ice skating, ice rink, ice cream, husband wife relationship, hotel clerk, highway
It is like bad Bresson, if that were a possibility. All signifiers and no meaning; all tics and no truths; all mute emoting and no emotion.
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