#1. This Filthy World (2006)

Storyline: At the Harry DeJour Playhouse in New York in the mid-2000s, John Waters emerges from a confessional onto a stage littered with trash. He tells stories. After a few about his childhood and early influences, he roughly follows the chronology of his career as a film director, relating anecdotes about the making of each film and letting those stories lead him to riffs on other topics. Gay references and wry observations about people's foibles and limits are constants. Waters' looks, too, are the butt of his jokes.—<jhailey@hotmail.com>

Plot Keywords: divine, campy, creative, hilarious, passionate, theater, baltimore ...

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#2. Divine Trash (1998)

Storyline: The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his parents, his brother, Divine's mom, actors and crew, other directors, film critics, a film curator, psychologists, and Maryland's last censor, who shudders at the memory of Waters's pictures. Also included is footage of Waters making his early movies, culminating in an up-close and in-depth look at Pink Flamingos: the script, the set, the filming conditions, its editing, its distribution, and its impact. In sweet ways, this documentary is also a celebration of Divine (1945-1988).—<jhailey@hotmail.com>

Plot Keywords: filmmaker, actor, parent, friend, campy, amusing, engaging ...

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#4. It Came From Kuchar (2009)

Storyline: IT CAME FROM KUCHAR is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, "no budget" films and with their uniquely enchanting spirits. George and Mike Kuchar grew up in the Bronx in the 1950's making "no-budget" films, compulsively copying Hollywood melodramas with their aunt's 8mm, home-movie camera. In the 1960's the New York underground film scene embraced them as the "8mm Mozarts". Their early films deeply inspired many filmmakers, including John Waters, Buck Henry, Atom Egoyan, Todd Haynes, Cory McAbee and Wayne Wang. IT CAME FROM KUCHAR includes numerous clips from the Kuchar brother's early films including HOLD ME WHILE I'M NAKED, SINS OF THE FLESHAPOIDS, and many others. IT CAME FROM KUCHAR features interviews of many of the filmmakers, artists and writers who've been inspired by the Kuchars. The film also features interviews of key "actors" from the Kuchar's films, ranging from the earliest days in the Bronx through today. For close to forty years George has taught film production at the San Francisco Art Institute (SFAI). His class is unbelievable in a circus-like, Fellini-esque style that generates tremendous enthusiasm from his students. IT CAME FROM KUCHAR follows his latest class production as they make an over-the-top "monster picture".—Jennifer Kroot

Plot Keywords: filmmaker, identical twin, professor, director, fan, john waters, charming ...

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#5. Cry-Baby (1990)

Storyline: Allison is a "square" good girl who has decided she wants to be bad and falls hard for Cry-Baby Walker, a Greaser (or "Drape" in John Waters parlance). Spoofing Elvis movies and Juvenile Delinquency scare films of the '50s, this movie follows the adventures of Cry-Baby who, though he is sent to juvie, is determined to cross class (and taste) boundaries to get Allison back.

Plot Keywords: baby, schoolgirl, rebel, charming, courtroom, wishes, john waters ...

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