#1. Mr. Hoover & I (1990)

Storyline: For the most part, the documentaries of Emile De Antonio tend to be abstract and withdrawn from any sense of personal expression or feeling. Point of Order and In the Year of the Pig may have dialectic meanings that show the radical left wing politics of De Antonio, but the viewer never actually sees the soul of De himself. After a brilliant and subversive career, De died in 1989, but he first completed his final act to the play of his life- Mr. Hoover and I. Mr. Hoover and I is an autobiography, there is no way around that, but it is a different form of autobiography. It is a biography of images and explanations all told behind the backdrop of the life of J.Edgar Hoover and why not. It is Hoover and the establishment that he represents that De fought for so many years against. Although De's life had taken many different shapes- from art patron to radical filmmaker- one thing always haunted him- the spectre of the establishment, an establishment that personified itself through Hoover. Where the attacks of In the Year of the Pig and Point of Order arise from an intellectual sense of montage- the attacks in Hoover are direct. This is De telling us what he believes, not relying on a montage of found army footage. Hoover presents the side of De we never see- the man- the man who loves his wife (wives), has his haircut, likes to poke fun at himself ("anyone who knows me, knows that the only time I empty my wallet is at a bar" on charges that he donated money to Soviet causes), and most of all is a many of passion for what he believes in. Knowing that De passed away only months after finishing Hoover, it almost brings tears to the eyes of harden De fans for it wasn't until he left us that we got to see the real Emile De Antonio.

Plot Keywords: federal agent, documentarian, government official, fbi director, brooding, dense, profound ...

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#2. J. Edgar (2011)

Storyline: Biopic of J. Edgar Hoover (Leonardo DiCaprio) told by Hoover as he recalls his career for a biography. Early in his career, Hoover fixated on Communists, anarchists, and any other revolutionary taking action against the U.S. government. He slowly builds the agency's reputation, becoming the sole arbiter of who gets hired and fired. One of his hires is Clyde Tolson (Armie Hammer), who is quickly promoted to Assistant Director and was Hoover's confidant and companion for the rest of Hoover's life. Hoover's memories have him playing a greater role in the many high profile cases in which the F.B.I. was involved, the Lindbergh baby kidnapping, the arrest of bank robbers like John Dillinger, and also show him to be quite adept at manipulating the various politicians with whom he worked over his career, thanks in large part to his secret files.

Plot Keywords: fbi director, companion, secretary, mother, kidnapper, somber, fascinating ...

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#3. The Jackal (1997)

Storyline: In Moscow, the FBI and their Russian counterpart, the MVD, are working on a joint mission to apprehend Russian mobster Ghazzi Murad specifically for the murder of Mayor Nikolai Semankho. During the arrest, they are forced to kill Ghazzi. Ghazzi's brother, Terek Murad, also a mobster, begins his own form of deadly retribution against the MVD for Ghazzi's death. But the FBI and MVD also get wind that Terek has hired an assassin by the code name Jackal to carry out a hit on a high profile but unknown American target for the Americans sticking their nose in Russian affairs. Intelligence points to that target being Donald Brown, the Director of the FBI. The Jackal is known only by name and reputation but no one in authority knows who he is, what he looks like or if he even really exists. They learn of only one person alive who they know has had ties to the Jackal: former Basque separatist Isabella Zanconia, whose whereabouts are unknown. As such, the FBI and MVD decide to turn to the one ...

Plot Keywords: russian mobster, fbi director, policewoman, ira agent, hit man, brother, suspenseful ...

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