The Marker (2017)
THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.
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Rosy (2018)
A socially awkward young man kidnaps an aspiring actress with the hope that they will fall in love. A psychosexual noir that explores power dynamics between men and women.
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The Heretics (2017)
After she's kidnapped, a young woman begins to undergo a strange transformation.
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A Passion to Kill (1994)
A psychiatrist (Bakula) gets involved with his best friend's wife (Field) who may be a murderer.
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McCanick (2013)
Set over the course of one day, a narcotics detective hunts for a seemingly harmless young criminal who knows a truth about the cop's past.
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Prey (2019)
A young man must survive an island retreat while a sinister force hunts him, leaving bodies in its wake.
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Rain Fall (2009)
A hit man looks to protect the daughter of one of his victims against CIA assassins.
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The Tax Collector (2020)
A "tax collector" working for a local crime lord finds his family's safety compromised when the rival of his boss shows up in L.A. and upends the business.
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Affairs of State (2018)
A young campaign aide gets in way over his head when he sleeps with the wife and daughter of a presidential candidate only to end up bleeding out on the side of an empty road at night.
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S.M.A.R.T. Chase (2017)
A washed-up private security agent has to escort a valuable Chinese antique out of Shanghai but is ambushed en route.
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