David Kepesh is growing old. He's a professor of literature, a student of American hedonism, and an amateur musician and photographer. When he finds a student attractive, Consuela, a 24-year-old Cuban, he sets out to seduce her. Along the way, he swims in deeper feelings, maybe he's drowning. She presses him to sort out what he wants from her, and a relationship develops. They talk of traveling. He confides in his friend, George, a poet long-married, who advises David to grow up and grow old. She invites him to meet her family. His own son, from a long-ended marriage, confronts him. Is the elegy for lost relationships, lost possibilities, beauty and time passing, or failure of nerve?
older man younger woman relationship, flashback, loneliness, flash forward, fear of death, fear of commitment, female nudity, father son relationship, cancer, teacher, sex, sexual attraction, breasts, narrated by character, breast cancer, eating, bra, white bra, black bra, black panties
Coixet has blunted the impact of the novel's ending just as she has softened Roth's misanthropic depiction of Kepesh and, as a result, she's taken flak for being over-polite. I didn't care.
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