Romain, 31, a photographer, learns that a malignancy may kill him within a few months. Decisions: Treatment? Work? How to tell his lover and his family. He remembers the sea and himself as a child. He stares in the mirror. He's cruel: facing death, he pushes people away - what's the point? He visits his grandmother to tell her; on the way, he chats briefly with a waitress. He looks at old photos, visits a childhood tree house. He takes pictures. Returning from his grandmother's, he stops for food and sees the waitress, Jany, again. She makes a request. He returns to an empty flat - his lover has left. Can Jany's proposition give him a way to move past self-pity?—
erection, gay relationship, catholic church, breast feeding, banging head against wall, adultery, french, father son relationship, female frontal nudity, male full frontal nudity, childhood friend, paris france, gay interest, photographer, gay kiss, group sex, gay lead character, letter, last will and testament, kiss
Time to Leave strikes a certain register of restrained placidity, yet in the end, succumbs to more and more frequent idealizing interludes.
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