New York, 2000. A specter in the guise of the newly-dead CEO of Denmark Corporation appears to Hamlet, tells of murder most foul, demands revenge, and identifies the killer as Claudius, the new head of Denmark, Hamlet's uncle and now step-father. Hamlet must determine if the ghost is truly his father, and if Claudius did the deed. To buy time, Hamlet feigns madness; to catch his uncle's conscience, he invites him to watch a film he's made that shows a tale of murder. Finally convinced of Claudius's guilt, Hamlet must avenge his father. Claudius now knows Hamlet is a threat and even uses Ophelia, Hamlet's love, in his own plots against the young man. Murder will out?—
murder, ghost, revenge, shakespeare play, video camera, wearing a sound wire, year 2000, screaming, sword fight, new york city, tragedy, shot in the stomach, punched in the stomach, guilt, city, corporation, madness, watching a movie, shot in the eye, skyscraper
Almereyda's details actually give the core story an additional layer of power. The cyclical decay of Hamlet still resonates, even as its '90s flourishes have become increasingly irrelevant.
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