Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and rock and roll is pushing the Four Lads off the Hit Parade. Ben, a high school senior, and his older brother Van are exploring "the other": in Ben's case, it's friendship with Sylvia, a Black student; with Van, it's a party in the WASP part of town and falling for a debutante, Dubbie. Sylvia gives Ben tickets to a James Brown concert; Dubbie invites Van to a motel: new worlds open. Meanwhile, their dad Nate, who runs a numbers game, loses big to a small-time pusher, Little Melvin; a partnership ensues.—
marriage, intimacy, racist, teenager, fraud, gambling, lottery, dance, family relationships, kitchen, rock 'n' roll, african american, generation gap, ensemble film, halloween, jew, orthodox jew, antique, teenage girl, teenage boy
By focusing on such a specific milieu, he keeps the genre alive with his great ear for small talk, an elegant eye and a warm, forgiving heart. This is nostalgia bottled and aged with care.
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