Against the backdrop of a gloomy San Francisco, the nearly two-century-old vampire, Louis de Pointe du Lac, recounts the unbelievable story of his eternal transformation and a life worse than death to the sceptic reporter, Daniel Molloy. Spanning two hundred years of cruel betrayals, extreme solitude, and unquenched thirst, Louis' grimly fascinating tale pivots around his perpetually regrettable decision to embrace the dictatorship of blood, and, above all, his maker: the seductive blonde aristocrat of death, Lestat de Lioncourt. Is Louis' mystical epic of bloodshed genuine? Is this, indeed, an interview with a vampire?
vampire, gothic, betrayal, immortality, dark hero, guilt, monster as victim, undead, interview, death, night, homoeroticism, screaming, 1870s, theatre, blood, little girl, dead child, america, good versus evil
Director Neil Jordan has always had an affinity for underdogs, and he has created a film that can be viewed as empathetic to any oppressed group. Homosexuals may claim it as their emotional story
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