Leon Bernstein is New York's best news photographer in 1942, equally at home with cops or crooks. The pictures are often of death and pain, but they are the ones the others wish they had got. Then glamorous Kay Levitz turns to him when the Mob seem to be muscling in on the club she owns due to some arrangement with her late husband. Bernstein, none too successful with women, agrees to help, saying there may be some good photos in it for him. In fact, he is falling in love with Kay.—Jeremy Perkins {J-26}
photographer, widow, mobster, detective, friend, cool, gritty, suspenseful, new york city, nightclub, office, police station, apartment building, street, photography, organized crime, death, tabloid journalism, love, exploitation, discovery, wretched excess, 1940s
The tale's mournful B-movie romanticism-and Pesci's introspective, crablike performance gets under your skin. In its moody, daffy way, The Public Eye gives off an authentic reek of artistic compulsion.
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