Pinter's semi-autobiographical play examining the surprise attraction, shy first steps, gradual flowering, and treasonous deception of a woman's extramarital affair with her husband's best friend. The entire story is told from the husband's point of view, with the scenes in precise reverse chronological order.—Dan Hartung
london england, extramarital affair, british renaissance, nonlinear timeline, adultery, based on play
Not a total loss-some wit and a few well-sketched moments survive-but the betrayal here is largely one of the talent involved.
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