It's the late 1950s. Mid-twenty-something Kit is a restless and unfocused young man with a James Dean vibe and swagger which he has heard mentioned about him more than once. Fifteen year old Holly has a somewhat cold relationship with her sign painter father, if only because she is the primary reminder of his wife, who died of pneumonia when Holly was a child. The two meet when Holly and her father move from Texas to the small town where Kit lives, Fort Dupree, South Dakota. They slowly fall in love, something about which she cannot tell her father because of their age difference and Kit coming from the wrong side of the tracks. When he tries to take Holly away with him, Kit, on an impulse, shoots her father dead. After letting the initial emotions of the situation settle down, Holly decides voluntarily to go with Kit, they trying to make it look like they committed suicide in a house fire. But they soon learn that their plan did not work, there being a bounty on their heads. As such,...
serial killer, cult film, killing spree, cult director, existentialism, psychopath, father daughter relationship, underage smoking, lovers on the lam, zippo lighter, on the run, rebel, stairway, police officer shot, police officer killed, true crime, crime spree, newspaper, newspaper headline, alienation
If a portion of American cinema is going to remain devoted to violence, it could learn a lot by revisiting Malick's thoughtfulness.
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