A tale of innocence abroad, with racial overtones. Turner is a Black American, stationed at an air base in France. His captain thinks Turner's a good Negro, obedient, cheerful, and frightened, so he gives him a promotion and a three-day pass. On the first night, at a club, he meets Miriam, a White Parisian shop clerk. They dance, talk, and fantasize about each other. He's amazed when she agrees to spend the weekend with him at a Normandy beach hotel; in fact, he guesses she's a prostitute. She's not, they go; it's off season, they have their pick of rooms, and romance ensues. Then, racial misunderstanding and real prejudice complicate the weekend and its aftermath.—
soldier, interracial relationship, paris france, music score composed by director, american abroad, class differences, confrontation, crisis of conscience, cross cultural relations, fish out of water, interracial romance, love, race relations, racist, stereotype, independent film
Although its protagonist is American and much of the film is in English, the movie reflects the stylistic variety and the freewheeling innovation of the French New Wave.
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