In the opening scene a lone man walks, behind him he drags a coffin. That man is Django. He rescues a woman from bandits and, later, arrives in a town ravaged by the same bandits. The scene for confrontation is set. But why does he drag that coffin everywhere and who, or what, is in it?
spaghetti western, coffin, revisionist western, ku klux klan, shootout, gatling gun, small town, grindhouse film, gunslinger, cowboy, cruelty, death, gunfight, horse, punishment, revolver, cross, cemetery, brutality, broken finger
Sergio Corbucci's Django is trapped between two states (literally Texas and Mexico, more metaphorically life and death) even as he brings a new (a)morality and sadism to a gunslinging figure of old America.
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