Young Elizabeth is left with her relatives, a married couple, while her mother is in hospital. The friendly husband likes her, but the wife hates kids. Her father, an often absent crook on the lam, visits her in secret one day.
Child in the House is saved from being just another of those routine sociological treatises our studios turn out so often by the enchanting Mandy, whose good-mannered charm and perfect air of naturalness make her performance something quite different.
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