Martin Schulz (Paul Lukas), a German/American art dealer, returns to Germany at the outbreak of World War Two, adopts the Nazi propaganda philosophy, refuses to protect the Jewish fiancee, Griselle Eisenstein (K.T. Stevens), of his son Heinrich Schulz (Peter Van Eyck), who has stayed in America to run the family business - and ultimately falls victim to the Gestapo himself.—Les Adams
art dealer, partner, daughter, actress, nazi, son, emotional, tense, germany, san francisco, art gallery, betrayal, nazism, anti-semitism, ambition, family, fall, revenge, transformation, 1930s
It remains tense drama, and should draw a considerable audience from readers of the story and the widening group of [Paul] Lukas' admirers.
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