On the eve of World War II, a British officer revisits Waterloo Bridge and recalls the young man he was at the beginning of World War I and the young ballerina he met just before he left for the front. Myra stayed with him past curfew and is thrown out of the corps de ballet. She survives on the streets of London, falling even lower after she hears her true love has been killed in action. But he wasn't killed. Those terrible years were nothing more than a bad dream is Myra's hope after Roy finds her and takes her to his family's country estate.—Dale O'Connor
title spoken by character, reputation, self sacrifice, friendship, scotland, soldier, nobility, poverty, party, missing person, london underground, male female relationship, dancer, auld lang syne, assumed dead, ballet dancer, unemployment, deception, based on play, england
Let there be no doubt about it. Vivien Leigh is as fine an actress as we have on the screen today. Maybe even the finest, and that's a lot to say.
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