Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are joined by amiable con man Jimmy Monkley, then, after a brief career in crime, meet Maudie Tilt, a giddy, sexy Cockney housemaid who joins them in the new venture of entertaining at resort towns from a caravan. Through all this, amazingly no one recognizes that Sylvia is not a boy...until she meets handsome artist Michael Fane, and drama intrudes on the comedy.—Rod Crawford
pursuit, jewel theft, hidden identity, gender bender, father daughter relationship, deception, chase, betrayal, thief, london england, transvestism, suicide, impersonation, role reversal, scam, woman dressed as man, two word title, female name in title, f rated, male objectification
Cukor sets the group's sordid schemes awhirl with giddy revelry and unveils the grim realities of scuffling troupers-along with the desires and frustrations that put the whole machine in motion.
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